Kay presented their project during the Apartment Marathon on Saturday 11 December on Broadway Market. Following onto this talk they conducted a photo shoot in their studio, the results of which can be found below...
Sarah
Kay
Lou
Maude
This series of photographs, taken on the 11th of December 2009,
provides one answer to the question of how to document a transitional
moment. The worldly possessions of studio 309, Netil House, assembled
and impounded, form a kind of group portrait – the human form is
absent though, replaced and represented by bean bag filling, a
gramophone horn, three pairs of laced leather boots, cardboard boxes
bearing the logo and imprint of a premium banana brand, knots of
steel, bags of durable plastic, a chair missing its third and
purpose-defining leg …
On the 11th of December 2009, the question, much discussed, much
deferred, of definition – as in ‘what the hell do we call this thing
that we are doing’ – is answered again. This time by the random
selection from a blue plastic crate of a 1981 vinyl pressing of Boz
Scaggs’ ‘Hits!’. The song on which the finger randomly alights, ’Lido
Shuffle’ is added to a growing list of possibilities:
the riots
a smile to remember
gamblers all
what make?
crate of wet hens
chalk faces
born into this
le mer et la nuit
…
provides one answer to the question of how to document a transitional
moment. The worldly possessions of studio 309, Netil House, assembled
and impounded, form a kind of group portrait – the human form is
absent though, replaced and represented by bean bag filling, a
gramophone horn, three pairs of laced leather boots, cardboard boxes
bearing the logo and imprint of a premium banana brand, knots of
steel, bags of durable plastic, a chair missing its third and
purpose-defining leg …
On the 11th of December 2009, the question, much discussed, much
deferred, of definition – as in ‘what the hell do we call this thing
that we are doing’ – is answered again. This time by the random
selection from a blue plastic crate of a 1981 vinyl pressing of Boz
Scaggs’ ‘Hits!’. The song on which the finger randomly alights, ’Lido
Shuffle’ is added to a growing list of possibilities:
the riots
a smile to remember
gamblers all
what make?
crate of wet hens
chalk faces
born into this
le mer et la nuit
…
Teetering arrangements of boxes and bags and words on a page; slumped
stacks of second-hand clothing, art supplies and of text that devolves
into nonsense and riddle; we expand to fill the space that is ours –
the blank page, the raw and reclaimed studio. After accumulation, the
urge is to purge and to reduce
The question of how to create a statement/ an inventory of this
transitional moment – a kind of portrait in which the human body is
removed, or rather replaced/ represented by their belongings.
stacks of second-hand clothing, art supplies and of text that devolves
into nonsense and riddle; we expand to fill the space that is ours –
the blank page, the raw and reclaimed studio. After accumulation, the
urge is to purge and to reduce
The question of how to create a statement/ an inventory of this
transitional moment – a kind of portrait in which the human body is
removed, or rather replaced/ represented by their belongings.
The process is one that when confronted with the teetering pillars and
slumped stacks of one’s personal belongings, encourages/pushes one
towards a type of minimalism – a life reduced to essentials …
Order within chaos – ordering and structuring a space that has been
physically transformed, torn down, reduced to rubble and built up
again.
slumped stacks of one’s personal belongings, encourages/pushes one
towards a type of minimalism – a life reduced to essentials …
Order within chaos – ordering and structuring a space that has been
physically transformed, torn down, reduced to rubble and built up
again.
Photo by Lou Marcellin
Kay Marcellin
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